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cee-lo's soul machine
April 11, 2004
Being one of the fusing forces of Goodie Mob and then going solo, Cee-Lo's been blazing some trails here and there. Admittedly the trail being blazed for the debut release didn't leave much of a mark. Between releases, he managed to make himself known, most recently in Speakerboxxx in the very short, eloquent rap in Reset. With Cee-Lo Green Is The Soul Machine he's managed to make himself a formidable force. Considering the last couple of months with mediocre releases from others (witness Janet), this album is a nice surprise.
As productions and artists go, he's got some high powers in his camp. He's got Timbaland in the mix for the first release, Call Me, Ludacris in Childz Play, Pharrell in The Art Of Noise and Let's Stay Together, and Scrap Metal with Organized Noize. They're all great, and easily accessible by the masses.
It's all about adding his own nuances that makes this one shine.
full moon »
He spreads love across multiple places. In My Kinda People, complete with Jazze Pha and Menta Malone in the background, he sings about Southern simplcity:
I can smell it, somebody put wood grain in the air
And there's a lot of fine ass women everywhere
Ain't nothin' wrong with passin' and drinkin and havin' fun
Why don't you take your dead ass home if you ain't havin' none?
From the spoken words in I Am Selling Soul and Sometimes, he gives more than just lyricism -- he also slams spoken word, in surround sound even.
Sometimes good just ain't good enough
And othertimes evil will get you even
Sometimes faith is not knowing any better
Sometimes nothing is what you believe in...sometimes I don't even have a hook.
He also uses the N-word in Southern style that's love instead of hatred in the lively When We Were Friends. He uses romance and love, complete with watching Blockbuster movies, in All Day Love Affair.
As it he put it himself, he's "the obviously odd, five foot, six inch god" proclaimed in Evening News. I believe that's the best assessment that can be made.
8/10. The best release this year so far. Your take?
To remain plain and simplistic, realistic, accurate, articulate, and absolutely artistic
Uninhibited, unadulterated, unstoppable, unfuckwithable and unforgettable
But since I've been granted the power of choice to make God be the voice he is so all the credibility is his
So let these be words of wisdom and in the same breath warning...
Son, I shine like Sunday morning
- Sometimes « wane
in the sky by ej at 23.17
| revolutions: (0)
damita jo: taking the extra out of extraordinary?
April 04, 2004
Damita Jo, just released, has been one of the most anticipated
albums this year. From a majority of the reviews seen thus far, this album is
considered to be a miss, rather than a hit. What happened this time? Succinctly
put, the album is not a groundbreaking effort. Coming from a new or up-and-coming
artist, the album has the ability to spin effortlessly, to give the grooves
needed to please, and without a doubt would be labeled a solid album. The problem
here? The expected excitment, the undulation the people have been used to in
every release is not present here.
full moon »
Declarations of the passion and the newness that is Damita Jo along with
Strawberry Bounce set the album off to a strong start, but rarely give
any newfound passion that we've been accustomed to. Undoubtedbly, with Dallas
Austin introducing us with the first release Just A Little While,
fans were unaccustomed to the Prince infusion, resulting in quickly releasing
the solid, albeit non-groundbreaking track I Want You.
With Jam
and Lewis
present, as with every release, the Janet Jackson sound is still there. Island
Life and Truly are standard Flytetyme
tracks expected off of every album. The infusion of old-school beats is a boost
that some of these tracks provide. With Spending Time With You, with
a slight interpolation of the Gap
Band, and R&B Junkie breaking off Evelyn
Champagne King, the 80's enhancements uplift the album for the old-school
legion.
The addition of other production teams give this album variety also. With BAG
& Arnthor
helming All Night (Don't Stop) and Slo Love, there's additional
funk that effortlessly guides people to the floor. Having Kanye
West pulsing us into I Want You and My Baby, along with Babyface
giving us his signature cut Thinking About My Ex, the current fan base
are granted songs designed for this day and age.
Janet has previously given us many things to be thankful of...and with Jam and
Lewis guiding the ship, the results have been stellar. With groundbreaking songs
from All For You like the minimalist funk of the initial track All for You, the emotion
of Son of A Gun, and the rock-infused Trust a Try, the album,
while not a blockbuster when compared to her previous efforts, was a release
that signalled growth inside of the woman that is Damita Jo. The rub here? This
album is a continuation of comfort and familiarity, rather than satisfying the
above-the-radar expectations that is her norm. There are tracks not present
on the United States release of Damita Jo as well. With Could This Be Love
and Put Your Hands On missing, the album lacks more of what her fan base
has been accustomed to. It's expected that videos, her performances, and interviews
will boost this album as they have in the past. Now, more than ever, however,
it's absolutely essential.
As albums go, this is not a bad album release from artists with a smaller fan
base, and for that it, it gets a rating of 7/10. In the realm that is Janet,
this release can be considered a minor setback, however, placing it at a 6/10
when compared to her other releases. There's so much that has been received
in the past that has made the future so bright, I've had to wear my shades.
This time, however, I didn't need to wear them. We can only hope that the next
release will shine a bit brighter.
Express yourself to eXponent. It's a good thing.
« wane
in the sky by ej at 15.41
| revolutions: (1)
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